1920. John has returned from war to North Yorkshire, near another river – alive, but not still whole. Reunited with Helena, an artist, he reopens his photography business and endeavours to keep on living.

But the past erupts insistently into the present, as ghosts begin to surface in his pictures: ghosts whose messages he cannot understand. So begins a narrative that spans four generations, moments of connection and consequence igniting and re-igniting as the century unfolds. In luminous moments of desire, comprehension, longing, transcendence, the sparks fly upward, working their transformations decades later.

Do you know what happens to people who sink into meaning?An eternal mania strangles them and they’re left unfit to live. You are a guardian of surfaces. The future of humanity depends on you.

THE FIRST CENSOR. The new book censor has not slept soundly in weeks. By day, he combs through manuscripts at a government office, looking for anything that would make a book unfit to publish-allusions to queerness, unapproved religions, any mention of life before the Revolution. By night, pilfered novels pile up in the house he shares with his wife and daughter, and the characters of literary classics crowd his dreams.

As the siren song of forbidden reading continues to beckon, he descends into a netherworld of resistance fighters, undercover booksellers, and outlaw librarians trying to save their history and culture. Reckoning with the global threat to free speech and the bleak future it all but guarantees, Bothayna Al-Essa marries the steely dystopia of Orwell’s 1984 with the madcap absurdity of Carroll’s Alice in Wonderland, resulting in a dreadful twist worthy of Kafka. The Guardian of Surfaces is a warning call and a love letter to stories and the delicious act of losing oneself in them.