The city of Sicily admires them, honors them and, above all, fears them. Ignazio was destined to rule Casa Florio since birth, a fearless drive that pulses through his veins, pushing him to look beyond Sicily towards Rome, Europe and its courts, the naval domination of the Mediterranean, and eventually the purchase of the entire Archipelago of the Egadi to build his dazzling empire. But his heart is black as ice.

To seize Casa Florio, he abandoned the love of his life—an act of treachery which still casts a dark shadow. Barely twenty, his son Ignazziddu stands to inherit all that his father has built. Yet he is nothing like Ignazio.

A nervous young man, he does not want to be shackled to his infamous name, to sacrifice himself for the family. Despite his fears, he embraces Ignazio’s legacy, and must face a world that changes too quickly, agitated by new, violent, and uncontrollable forces. Ignazziddu eventually realizes that it’s not enough to have Florio blood to become the imposing force his grandfather and father were.

What is it they had that he lacks?Beside father and son are two extraordinary women: Giovanna, Ignazio’s wife, hard and fragile as crystal, full of passion but hungry for love, and Franca, the wife of Ignazziddu, the most beautiful woman in Europe, whose golden existence is threatened by the blows of a cruel fate. It is these women who unforgettably animate The Triumph of the Lions. Bringing the Belle Epoque into stunning relief, Auci dives deeper into the exhilarating and terrible, glorious and tragic history of a family that, for decades, sat high above Italian society, and made the heart of an island and city beat.

Accompanying the poems are commentaries on the evolution of the history of the Elder Days, together with the notable criticism of The Lay of Leithian by C.S. Lewis, who read the poem in 1929. In The Shaping of Middle-earth the chronological and geographical structure of the legends of Middle-earth and Valinor is spread before us.

We are introduced to the hitherto unknown Ambarkanta or ‘Shape of the World’, the only account ever given of the nature of the imagined Universe, accompanied by maps and diagrams of the world before and after the cataclysms of the War of the Gods and the Downfall of Númenor. Also included are the original ‘Silmarillion’ of 1926, and the Quenta Noldorinwa of 1930 – the only version of the myths and legends of the First Age that J.R.R. Tolkien completed to their end.

The Lost Road completes the examination of Tolkien’s writing completes the examination of Tolkien’s writing before he began The Lord of the Rings, presenting later forms of the annals of Valinor and Beleriand, the legend of the downfall of Númenor, and the abandoned ‘time-travel’ story The Lost Road, linking the world of Númenor and Middle-earth with the legends of many other times and peoples. Published together for the first time, these three books comprise a fascinating period of Christopher Tolkien’s forty-year career devoted to presenting his father J.R.R. Tolkien’s writings on Middle-earth, itself a unique accomplishment that celebrates the greatest invented world in all of fantasy literature.