Choose life. Choose mortgage payments; choose washing machines; choose cars; choose sitting oan a couch watching mind-numbing and spirit-crushing game shows, stuffing fuckin junk food intae yir mooth. Choose rotting away, pishing and shiteing yersel in a home, a total fuckin embarrassment tae the selfish, fucked-up brats ye’ve produced.

Choose life.

For the Trainspotting crew, a new era is about to begin – a time for hope, for love, for raving. Leaving heroin behind and separated after a drug deal gone wrong, Renton, Sick Boy, Spud and Begbie each want to feel alive. They fill their days with sex and romance and trying to get ahead; they follow the call of the dance floor, with its promise of joy and redemption.

Sick Boy starts an intense relationship with Amanda, his ‘princess’ – rich, connected, everything that he is not. When the pair set a date for their wedding, Sick Boy sees a chance for his generation to take control at last. But as the 1990s dawn, will finding love be the answer to the group’s dreams or just another doomed quest?

Vicious, racist and corrupt, many thought he had it coming. But nobody could have predicted this. After the life Gulliver has led, the suspects are many – corporate rivals, political opponents, the countless groups he’s offended.

And the vulnerable and marginalised, who bore the brunt of his cruelty. As Lennox unravels the truth, and the list of shocking attacks grows, he must put his personal feelings aside. But one question refuses to go away: who are the real victims here?