It is also the story of how the body fails us, whether through age, illness, accident or intent. And it is the story of how experiences fade into anecdotes, and then into memory. Does it matter if what we remember really happened? Or does it just matter that it mattered enough to be remembered?It begins at the end of life – but it doesn’t end there.

Ultimately, it’s about the only things that ever really mattered: how we find happiness in this life, and when it is time to say goodbye.

For the Trainspotting crew, a new era is about to begin – a time for hope, for love, for raving. Leaving heroin behind and separated after a drug deal gone wrong, Renton, Sick Boy, Spud and Begbie each want to feel alive. They fill their days with sex and romance and trying to get ahead; they follow the call of the dance floor, with its promise of joy and redemption.

Sick Boy starts an intense relationship with Amanda, his ‘princess’ – rich, connected, everything that he is not. When the pair set a date for their wedding, Sick Boy sees a chance for his generation to take control at last. But as the 1990s dawn, will finding love be the answer to the group’s dreams or just another doomed quest?

In an English university college, an undead academic asks a lonely student to avenge his former tormentor. These five dazzling stories move between the three countries that Salman Rushdie has called home – India, England and America – and explore what it means to approach the eleventh hour of life. They are at once the universal reckoning with life and death that we all must make, and speak deeply to what Salman Rushdie has come from and through.

Do we accommodate ourselves to death, or rail against it? How can we bid farewell to the places that we have made home? How do we achieve fulfilment with our lives if we don’t know the end of our own stories? The Eleventh Hour ponders life and death, legacy and identity with the penetrating insight and boundless imagination that have made Salman Rushdie one of the most celebrated writers of our time.

2119: The lowlands of the UK have been submerged by rising seas. Those who survive are haunted by the richness of the world that has been lost.

Tom Metcalfe, an academic at the University of the South Downs, part of Britain’s remaining island archipelagos, pores over the archives of that distant era, captivated by the freedoms and possibilities of human life at its zenith.

When he stumbles across a clue that may lead to the lost poem, a story is revealed of entangled loves and a crime that destroy his assumptions about people he thought he knew intimately well.

What We Can Know is a masterpiece, a fictional tour de force that reclaims the present from our sense of looming catastrophe, and imagines a future world where all is not quite lost.

2014: Una splendida  poesia viene letta ad alta voce e mai più ascoltata. Per generazioni, si è speculato sul suo messaggio, ma non ne è stata ancora trovata alcuna copia. 2119: Le pianure del Regno Unito sono state sommerse dall’innalzamento del livello del mare.

Chi sopravvive è ossessionato dalla ricchezza del mondo perduto. Tom Metcalfe, accademico dell’Università del South Downs, parte degli arcipelaghi insulari rimasti in Gran Bretagna, si immerge negli archivi di quell’epoca lontana, affascinato dalle libertà e dalle possibilità della vita umana al suo apice. Quando si imbatte in un indizio che potrebbe condurre alla poesia perduta, gli viene svelata una storia di amori intrecciati e di un crimine che distruggono le sue convinzioni su persone che credeva di conoscere intimamente.

What We Can Know è un capolavoro, un tour de force immaginario che rivendica il presente dal nostro senso di catastrofe imminente e immagina un mondo futuro in cui non tutto è ancora perduto.

Bereft and out of options, he quickly becomes her caretaker. Over the course of the year, the unlikely pair develops a life-altering bond, one built on empathy, spiritual reckoning, and heartbreak, with the power to alter Hai’s relationship to himself, his family, and a community at the brink.

Following the cycles of history, memory, and time, The Emperor of Gladness shows the profound ways in which love, labor, and loneliness form the bedrock of American life. At its heart is a brave epic about what it means to exist on the fringes of society and to reckon with the wounds that haunt our collective soul.

Hallmarks of Vuong’s writing – formal innovation, syntactic dexterity, and the ability to twin grit with grace through tenderness – are on full display in this story of loss, hope, and how far we would go to possess one of life’s most fleeting mercies: a second chance.

It is, he says, ‘a fully interactive, full-colour articulation of the time-space interrelationships of six complete consciousnesses on a single Midwestern American day and the tiny piece of human grit about which they involuntarily orbit.’ The six characters are Rusty Brown himself, a shy schoolkid obsessed with superheroes, his father ‘Woody’ Brown, an eccentric teacher at Rusty’s school, Chalky White, another schoolboy, Alison White, Chalky’s sister, Jason Lint, an older boy who bullies Rusty and Chalky and fancies Alison, and the boys’ teacher, Joanne Cole. Ware tells each of their stories in minute detail (or as he puts it, ‘From childhood to old age, no frozen plotline is left unthawed’), producing another masterwork of the comics form that is at once achingly beautiful, heartbreakingly sad and painfully funny. ‘A treasure trove of invention…

Twenty-five years later, as the radiation from the Chernobyl disaster spreads across Europe, Roland’s wife mysteriously vanishes and he is forced to confront the reality of his rootless existence and look for answers in his family history.

From the fall of the Berlin Wall to the Covid pandemic and climate change, Roland sometimes rides with the tide of history but more often struggles against it. Haunted by lost opportunities, he seeks solace through every possible means ­- literature, travel, friendship, drugs, politics, sex and love.

His journey raises important questions. Can we take full charge of the course of our lives without damage to others? How do global events beyond our control shape us and our memories? What role do chance and contingency play in our existence? And what can we learn from the traumas of the past?