Boston Bears captain Ilya Rozanov is everything Shane’s not. The self-proclaimed king of the ice, he’s as cocky as he is talented. No one can beat him—except Shane.

Publicly, they’re enemies. Privately, they can’t stop touching each other. The smart thing to do? Walk away, once a few secret hookups turn into a struggle to keep their relationship out of the press. The truth could ruin them both.

But for Shane and Ilya, secrecy is soon no longer an option…

The last thing he expects to find in his new neighborhood is a blast from his past in the fabulous form of Fabian Salah. Aspiring musician Fabian loathes hockey. But that doesn’t stop him from being attracted to a certain burly ginger-bearded defenseman.

He hasn’t forgotten the kiss they almost shared back in high school, and the chemistry between them has only intensified. Fabian is more than happy to be Ryan’s guide to the gay scene in Toronto. Between dance clubs and art exhibits—and the most amazing sex—Ryan’s feeling something he hasn’t experienced in a long time: joy.

But playing the role of the heavy on the ice has taken its toll on his body and mind, and a future with Fabian may mean hanging up his skates for good.

For two decades, Del and Dinah Newman and their sons, Guy and Shep, have ruled television as America’s Favourite Family. Millions of viewers tune in every week to watch them play flawless, black-and-white versions of themselves. But now the Sixties are in full swing, and the Newmans’ perfection suddenly feels woefully out of touch.

Ratings are in free fall, as are the Newmans themselves.

Del is keeping an explosive secret from his wife, and Dinah is slowly going numb. Steady, stable Guy is hiding the truth about his love life, and rock ‘n’ roll idol Shep may finally be in real trouble.

When Del is in a mysterious car accident, Dinah decides to take matters into her own hands. She hires Juliet Dunne, an outspoken young reporter, to help her write the final episode.

But Dinah and Juliet have wildly different perspectives about what it means to be a woman, and a family, in 1964 America.

Can Dinah Newman bring her family together to change television history?

Or will she be cancelled before she ever had the chance?

The city of Sicily admires them, honors them and, above all, fears them. Ignazio was destined to rule Casa Florio since birth, a fearless drive that pulses through his veins, pushing him to look beyond Sicily towards Rome, Europe and its courts, the naval domination of the Mediterranean, and eventually the purchase of the entire Archipelago of the Egadi to build his dazzling empire. But his heart is black as ice.

To seize Casa Florio, he abandoned the love of his life—an act of treachery which still casts a dark shadow. Barely twenty, his son Ignazziddu stands to inherit all that his father has built. Yet he is nothing like Ignazio.

A nervous young man, he does not want to be shackled to his infamous name, to sacrifice himself for the family. Despite his fears, he embraces Ignazio’s legacy, and must face a world that changes too quickly, agitated by new, violent, and uncontrollable forces. Ignazziddu eventually realizes that it’s not enough to have Florio blood to become the imposing force his grandfather and father were.

What is it they had that he lacks?Beside father and son are two extraordinary women: Giovanna, Ignazio’s wife, hard and fragile as crystal, full of passion but hungry for love, and Franca, the wife of Ignazziddu, the most beautiful woman in Europe, whose golden existence is threatened by the blows of a cruel fate. It is these women who unforgettably animate The Triumph of the Lions. Bringing the Belle Epoque into stunning relief, Auci dives deeper into the exhilarating and terrible, glorious and tragic history of a family that, for decades, sat high above Italian society, and made the heart of an island and city beat.

But now fate has taken a turn. As social and economic pressures erode the stability of a young Italy, the Florios—despite their wealth and power—must watch as their iron grip over the South begins to weaken. Following in the steps of the father he idolized, Ignazzidu, now Don Ignazio, finds himself commanding the Florio family’s interests and enterprises.

Negligent, impetuous, and headstrong, he is everything his industrious father was not. But while he struggles to live up to the family name, his charming and loyal wife Franca rises to the occasion. A gracious and formidable host, Franca’s hospitality becomes unmatched across Europe, informally crowned the “Queen of Palermo” as she holds court with an esteemed coterie of luminaries from the womanizing Puccini to the scandalous Boldini.

Yet as the tides of fortune change– economic hardships, war, and human loss- their relationship will be put to the test and Franca will find that even a love as devoted as hers may falter. But the biggest threat to their survival is the death of an heir. In losing the flesh of his flesh, Ignazio—who succeeded his father without the strength or conviction to do so—will ultimately oversee the collapse of an empire built by his family’s ambition, cunning, and sweat.

What kind of future will the Florios have now? Will anything remain of their greatness?

Daniel ‘Skippy’ Juster is his roommate. In the grand old Dublin institution that is Seabrook College for Boys, nobody pays either of them much attention. But when Skippy falls for Lori, the frisbee-playing siren from the girls’ school next door, suddenly all kinds of people take an interest – including Carl, part-time drug-dealer and official school psychopath… A tragic comedy of epic sweep and dimension, Skippy Dies scours the corners of the human heart and wrings every drop of pathos, humour and hopelessness out of life, love, Robert Graves, mermaids, M-theory, and everything in between.

It is also the story of how the body fails us, whether through age, illness, accident or intent. And it is the story of how experiences fade into anecdotes, and then into memory. Does it matter if what we remember really happened? Or does it just matter that it mattered enough to be remembered?It begins at the end of life – but it doesn’t end there.

Ultimately, it’s about the only things that ever really mattered: how we find happiness in this life, and when it is time to say goodbye.

Born in Germany to Afghan parents, Nila has spent her adolescence disappointing her family while searching for her voice. Now in Berlin’s techno-filled warehouses, their walls still scarred by the ravages of the last century, she has found her tribe. Then Nila meets American writer Marlowe.

As she is sucked into his seductive but controlling orbit, and ugly racial tensions begin to roil through Germany, she is forced to ask herself the question she’s been running from: who does she want to be?‘Rarely has the wildness and bewilderment of youth been conveyed with such richly textured heat’ Garth Greenwell

When her mother remarries, she jumps at the chance to tag along on the concert tour that just might be Gil and the Kills’ wild ride to glory. But fame has sharper fangs than anybody realized, and as the band blazes up the charts, internal power struggles set Gil and his group on a collision course destined for a bloody reckoning – one shrouded in mystery and lore for decades to come.

The only witness to a desperate act of violence, Suzanne spends the next twenty-nine years trying to disappear.

She trades the music and mayhem of her youth for the quiet of the suburbs and the company of her mild-mannered husband Rob. But when her father’s sudden death resurrects the troubled past she tried so hard to bury, she leaves it all behind and hits the road in search of answers.

Hitching her fate and Gil’s beloved car to two vagabonds who call an old Airstream trailer home, she finds everything she thought she’d lost forever: desire, adventure, and the woman she once wanted to be.

But Rob refuses to let her go. Determined to bring her back where she belongs, he chases her across the country – and drives her to a desperation all her own.